EOS C300 MKIII
Canon
€ 9.239,83 VAT excl.
New 4K Super 35mm CMOS sensor for breath-taking imagequality
Super 35mm DGO (Dual Gain Output) Sensor generates HDR in real time
High frame rates of up to 120fps in 4K
Multiple recording formats support broadcast workflows
Support for in-body Electronic IS
Compact, lightweight and reliable
Various mount and lens options
Highly configurable and modular design
Thanks to its technology and feature set, plus flexibility inusage and enhanced customisation options, C300 Mark III willappeal to broadcast and documentary film makers, as well as corporate video production and the rental sector.
What is in the box:
EOS C300 Mark III Body
Battery Charger CG-A20
LCD Monitor LM-V2
Compact Power Adapter CA-CP200B
LCD Attachment Unit LA-V2
AC Power Cable
Unit Cable UN-5
Shoulder Strap SS-1200
Camera Grip GR-V1
Extension System Attachment Bracket
Handle Unit
Thumb Rest
Mic Holder Unit
Body Cap
Battery Pack BP-A60
Allen wrenches and bolts
Create cinema-quality productions with the Canon EOS C300 Mark III Digital Cinema Camera, which features a Super 35mm Dual Gain Output sensor with up to 16 stops of high dynamic range capability for superior HDR recording and low noise. The EF lens mount offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount cinema prime, zooms, and even 2.0 and 1.33 anamorphic lenses. The mount is also interchangeable with a separately available PL mount by the end user.
The sensor is paired with the Canon DiGIC DV7 image processor, which uses the sensor's raw information and processes it for various applications such as high frame rate recording, raw recording, HDR-PQ output, electronic image stabilization (EIS), and proxy recording. The camera records up to DCI 4K resolution video to dual CFexpress cards, and an SD card slot is available to record additional images. High frame rates up to 120 fps can be recorded in 4K raw, and up to 180 fps in 2K cropped mode. Canon's Cinema RAW Light and XF-AVC recording formats are supported, providing DCI 4K images with a 10-bit, 4:2:2 Long GOP codec. Proxy recording is also supported, which allows a significant boost to your post-production speed.
For more flexibility during post-production, the camera also offers Canon's Log 2 and Log 3 gamma modes, which results in excellent tonal reproduction in the highlight and low-light regions of an image, and an expanded dynamic range. The C100 Mark II also supports custom user LUTs that can be utilized on monitors, the LCD, or viewfinder to ensure the most accurate color. Canon's Dual Pixel CMOS AF (autofocus) support allows you to not only provide accurate autofocus, but it also features touch AF and face detection.
The camera features up to 12G-SDI output over a single BNC cable, timecode I/O, and genlock input BNCs. It supports up to 4-channel audio using the internal mic, mini-mic input, and XLR ports, and an expansion unit can be added to support up to four XLR inputs. The body has a modular design that can either be stripped down completely or be built up using the included handle, 4.3" rotating touchscreen LCD unit with full controls, grip, and thumb rest.
50mm F1.4 Art DG HSM Canon EF
-2.5%EF 400mm F2.8L IS II USM
EF 300mm F2.8L IS II USM
24-70mm F2.8 DG OS HSM Canon
-2.5%EF-M 11-22mm F4-5.6 IS STM
24-105mm-F4.0 DG OS HSM Canon
EF 28-300mm F3.5-5.6L IS USM
SP 24-70mm G2 Canon
EF 200mm F2.0L IS USM
EF 16-35mm F4L IS USM
SY01CA
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85mm F1.4 DG HSM Canon EF
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105mm F2.8 EX DG OS HSM Canon
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SDCFE-512G-GN4NN
SDCFE-064G-GN4NN
AVP660CFXXT
CEB-G256
SDCFXPS-128G-X46
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SF-G2M
SDCFE-256G-GN4NN
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CEBG128.SYM
SDCFEC-320G-GN4NN
SDCFEC-640G-GN4NN
28mm T15 FF Canon EF
-2.5%35mm T15 FF Canon EF
-2.5%12mm t2.9 Zero-D Cine EFMount
-2.5%SYF85C
-2.5%SYX50C
-2.5%CN-E EF 50mm T1.3 M
-2.5%135mm T2 FF Canon EF
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18-35mm T2 Canon EF
-2.5%DZO Pictor 12-25 T2.8 White
SYX24C
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SYF24C
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CN-E EF 24mm T1.5 M
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CN-E EF 20mm T1.5 M
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DZO Pictor 50-125mm T2.8 Black
50-100mm T2 Canon EF
-2.5%CN-E 85mm T1.3 FP X SUMIRE
-2.5%DZO Pictor 12-25 T2.8 Black
DZO Pictor 20-55 50-125 White
105mm T15 FF Canon EF
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14mm T2 FF Canon EF
-2.5%DZO Pictor 20-55mm T2.8 Black
CN-E EF 35mm T1.5 M
-2.5%CN-E 14mm T3.1 FP X SUMIRE
SYF35C
-2.5%CN-E14-35MM L S M
CN-E14-35MM L SP M
CN-E31.5-95MM L S M
CN-E31.5-95MM L SP M
Proteus Lens 45mm T2-A Metric
Proteus Lens 60mm T2-A Metric
Proteus Lens 35mm T2-A Metric
Ranger Lens 28-75mm T2.9
Ranger Lens 75-180mm T2.9
Kit Ranger 28-75mm + 75-180mm
Kit 6 Lens XEEN CF-CINE Canon - Samyang
Kit Ranger Lite 28-7575-140mm
Ranger Lite 28-75mm T2.9
Ranger Lite 75-180mm T2.9
65mm T2.4 Ambra Arri PL+EF
80mm T2.4 Ambra Arri PL+EF
80mm T2.4 Blue Arri PL+EF
80mm T2.4 Silver Arri PL+EF
S-2620
PL-E90
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LS 60X
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PERAGOS TUBE 60C PIXEL 4 KIT
Nanlite - FS-200
HeliosTube FP2
PL-E60D
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PL-E90D
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Superpanel Dual Color 30
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PL-E60
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Action Pack Full Color - 652
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FF-T07
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V-mount C500C300 MKII
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S-8083S
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BP-A60
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EU-V2
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NTG-2
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Canon Super 35 Dual Gain Output (DGO) Sensor
The EOS C300 Mark III features Canon''s next-generation Super 35mm Dual Gain Output (DGO) Sensor. This new sensor is capable of dynamic ranges in excess of 16 stops and is compatible with Canon''s exclusive Dual Pixel CMOS Autofocus technology. The DGO Sensor is a newly developed imaging system that generates high dynamic range and maintains low-noise levels by reading out each pixel with different gains. It combines images using pixels shot with a saturation-prioritizing amplifier for bright areas, and a lower-noise, noise-prioritizing amplifier for darker areas.
DIG!C DV7 Image Processor
The EOS C300 Mark III features Canon''s DIG!C DV7 image processor that takes the extensive raw information captured from the imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Gain Output (DGO) Sensor, Dual Pixel Autofocus, Cinema Raw Light Recording, HDR (PQ) output, Electronic Image Stabilization, and proxy recording.
Dual Pixel CMOS Autofocus with Touch AF and Face Detection
The Cinema EOS C300 Mark III features Canon''s Dual Pixel CMOS AF Technology. For DAF, each pixel in the camera''s CMOS sensor is configured with two photodiodes. Two independent image signals can then be detected at each photosite and compared using phase difference to provide autofocus with compatible lenses. DAF can survey the scene and recognizes not only whether the subject is in focus or not, but in which direction (near or far), and by how much. DAF also powers the intuitive Focus Guide for users who prefer to focus manually but enjoy the positive feedback DAF provides through the guide interface.
High Frame Rate; 4K 120p and 2K CROP 180p
The EOS C300 Mark III is capable of ultra-high frame rates with its new chip design and DiG!C DV7 processor. Frame rates up to 120 fps can be obtained in 4K, while 2K CROP mode provides even greater flexibility with speeds up to 180 fps.
Canon Log 2 and 3 Gamma
The EOS C300 Mark III supports both Canon Log 2 and Canon Log 3 gamma. In post-production, Canon Log is designed to reproduce the entire tonal range that the CMOS image sensor is capable of. Log workflows provide the user with a higher dynamic range, more highlight and shadow retention, and more flexibility in grading.
Canon Log 2 provides the largest dynamic range and image detail. While Canon Log 2 provides the most post-production flexibility and full dynamic range of the sensor, it typically requires more time in color correction.
For users looking for most of the benefits of Log workflow, but with shorter turnaround times, Canon Log 3 provides an alternative with only a slightly reduced dynamic range of 14 stops.
Modular Design
A new modular design allows productions to optimize and customize the EOS C300 Mark III to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories, and rangefinder as it is stripped down flying on a drone.
Canon Cinema RAW Light and XF-AVC Recording
Thanks to the powerful DIG!C DV7 image processing platform, the EOS C300 Mark III can record Cinema RAW Light directly to two onboard CFexpress cards. Cinema RAW Light offers plenty of freedom for grading with a dynamic range that can exceed 16 stops with Dual Gain Output (DGO) technology while maintaining file sizes that are about 1/3 to 1/5 the size of Canon Cinema RAW. Canon Cinema RAW Light offers a great combination of codec efficiency and quality.
In addition to the conventional Intra-based XF-AVC codecs, a 4:2:2 10-bit Long GOP-based codec has been added with consideration for a balance of quality and data rates. This new Long GOP-based codec has a data rate that is less than half that of the conventional Intra codecs. This new lightweight codec makes it easier for users to reduce media costs and work with cloud-based infrastructures.
The EOS C300 Mark III Digital Cinema Camera incorporates the new Canon XF-AVC codec that allows 4K and 2K image data to be recorded internally onto CFexpress cards in workflow-efficient file sizes using advanced video compression. Using the XF-AVC codec, the EOS C300 Mark III can record a variety of frame fates up to 4K 120 fps and 2K up to 180 fps.
LM-V2 4.3" LCD Touchscreen Monitor
The LM-V2 4.3" LCD Monitor is an easy-to-view touch panel with approximately 2.76 million dots. The monitor easily attaches to the EOS C300 Mark III using included accessories and can be adjusted to different viewing positions. The LCD monitor is capable of displaying both image framing and visual confirmation of camera settings. Additionally, the display has a control interface to make it easy to access and change camera settings.
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