EOS C500 MK II
Canon
₦ 12,435,949.00 VAT excl.
The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.
The Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system.
Full-Frame CMOS Sensor, DIG!C DV 7 Chip
Full-Frame, Super 35, and Super 16 Modes
DCI 4K/2K, UHD 4K, and HD Modes
User-Changeable Lens Mounts
Dual Pixel CMOS AF
Internal Canon RAW Light Recording
Internal XF-AVC Recording
2 x CFexpress Card Slots, SD Card Slot
Canon Log 2 and Log 3 Gamma
4-Channel Audio Recording
What's in the box:
1x EOS C500 Mark II BODY
1x Measure Hook
1x Camera Grip GR-V1
1x Stopper
1x Thumbrest
1x Microphone Holder Unit
1x LCD Monitor LM-V2
1x LCD Attachment Unit LA-V2
1x Handle Unit
1x Hex Wrench 3/16 E, 1x Hex Wrench M4, 1x Hex Wrench M3
1x Hex Socket Head Bolt (1/4 inch)
1x Hex Socket Head Bolt (M3)
1x Bolt Stopper
1x SS-1200 Shoulder Strap
1x Battery Charger CG-A20
1x Compact Power Adapter CA-CP200 B
1x AC Cable EU
1x AC ADAPTER AC-E19
1x Power Cord EU
1x BP-A60 Battery Pack
1x Extension Unit Attachment Bracket
1x UN-5 Unit Cable
No CFexpress Card
The Canon EOS C500 Mark II 5.9K Full-Frame Camera Body is part of the Cinema EOS lineup of cameras, and it features a full-frame CMOS sensor with an effective 18.69MP resolution. This allows it to feature a 5.9K output in full frame, and crop (window) the sensor for Super 35 and Super 16 frame sizes while maintaining a high resolution. The C500 Mark II comes with a Canon EF mount and features an interchangeable lens mount system, allowing you to swap out the mount in the field for an optional Cinema Locking EF or PL mount, thus greatly expanding the amount of glass you can use with the camera. The sensor features over 15 stops of dynamic range and Dual Pixel autofocus support, and the camera uses a DIG!C DV 7 chip for image processing.
The camera internally records raw using the Canon Cinema RAW Light codec in 12- or 10-bit, or you can capture using the XF-AVC codec in 10-bit. Internal recording is done to Cfexpress cards via two Cfexpress card slots. 8-bit proxy recording in the XF-AVC codes, as well as JPEGs, can be captured onto an SD card via the built-in SD card slot. Supporting a variety of gamma settings including Canon Log 2 and Log 3, as well as supporting a variety of color gamuts including Cinema BT.2020, DCI-P3, and legacy BT.709. LUT importing is supported of course. The camera supports four channels of 24-bit, 48 kHz linear PCM audio recording.
35mm T15 FF Canon EF
Kit Sigma Cine Full 7 - EF MT
XEEN SYX50C
135mm T2 FF Canon EF
CN-E 70-200mm T4.4 L IS KAS S
XEEN SYX20C
CN-E 50mm T1.3 FP X SUMIRE
18-35mm T2 Canon EF
XEEN SYX24C
20mm T15 FF Canon EF
40mm T15 FF Canon EF
50mm T15 FF Canon EF
XEEN SYX16C
CN-E 135mm T2.2 FP X SUMIRE
MK50-135mm T2.9 RF Mount
XEEN SYX13C
CN-E 20mm T1.5 FP X SUMIRE
24-35mm T2.2 FF Canon EF
XEEN SYX85C
CN-E 35mm T1.5 FP X SUMIRE
DZO Pictor 50-125mm T2.8 Black
CN-E 85mm T1.3 FP X SUMIRE
DZO Pictor 12-25 T2.8 Black
DZO Pictor 20-55 50-125 White
85mm T15 FF Canon EF
XEEN SYX14C
CN-E 18-80mm T4.4 L IS KAS S
24mm T15 FF Canon EF
XEEN SYX35C
CN-E 24mm T1.5 FP X SUMIRE
14mm T2 FF Canon EF
DZO Pictor 20-55mm T2.8 Black
CN-E 14mm T3.1 FP X SUMIRE
XEEN CF SYF35C
XEEN 3 Cine Lenses EF Kit - Samyang
SUMIRE Kit 243550mm - Canon
Kit Aurogon FF 10-50x Arri PL
PAVO 28mm T2.1 2x Neutral
PAVO 32mm T2.1 2x Neutral
PAVO 40mmT2.1 2x Neutral
PAVO 55mm T2.1 2x Neutral
PAVO 75mm T2.1 2x Neutral
PAVO 100mm T2.4 2x Neutral
PAVO 28mm T2.1 2x Blue
PAVO 32mm T2.1 2x Blue
PAVO 40mm T2.1 2x Blue
PAVO 55mm T2.1 2x Blue
PAVO 75mm T2.1 2x Blue
PAVO 100mm T2.4 2x Blue
Kit 28-40-75mm 2xAnamorphic N
Kit 28-40-75mm 2xAnamorphic B
Kit 32-55-100mm 2xAnamorphic N
Kit 32-55-100mm 2xAnamorphic B
Kit 6 Lens 2xAnamorphic B
Kit 6 Lens 2xAnamorphic N
65mm T2.4 Ambra Arri PL+EF
80mm T2.4 Ambra Arri PL+EF
80mm T2.4 Blue Arri PL+EF
80mm T2.4 Silver Arri PL+EF
PAVO 65mm T2.8 2x Blue
PAVO 65mm T2.8 2x Neutral
PAVO 135mmT2.5 2x Neutral
PAVO 135mm T2.5 2x Blue
PAVO 180mm T2.5 2x Blue
PAVO 180mmT2.5 2x Neutral
LWAOOOMADPKITPL 1.33-1.40 PLPL
CM-V1
PM-V1
SLR-PLEF
PL-E90
ARRI 650 Plus BS MAN BareEnds
ARRI 300 Plus
PL-E60D
ARRI 150 LD Schuko
Nanlite - PavoTube Holder
PL-E90D
SKYPANEL S30-RP
SKYPANEL S30-C
SKYPANEL S120-C MAN
ARRI 300 Plus Schuko
EF 400mm F2.8L IS II USM
24-70mm F2.8 DG OS HSM Canon
EF 200mm F2.0L IS USM
60-600mm F4.5-6.3 DC HSM Canon
100mm f2.8 U-Macro EF
EF 24mm F1.4L II USM
EF 500mm F4.0L IS II USM
SYP10C
EF 70-200mm F2.8L IS III USM
EF 800 mm F5.6L IS USM
EF 24-70mm F2.8L II USM
EF 600mm F4.0L IS II USM
EF 16-35mm F2.8L III USM
14-24mm F2.8 DG HSM AF Canon
SY3V2C
60mm f2.8 Ultra-Macro 21
EF 85mm F1.4 L IS USM
EF 35mm F1.4L II USM
70-200mm f2.8 OS Sport Canon
EF 70-300mm F4.5-5.6 DO IS USM
EF 100-400mm F4.5-5.6L II USM
Kit Aurogon FF 10-50x Canon EF
Focus 10 - KF10-RLG
Focus 12 KF12-3CS
Focus 10 - KF10-RLM
Focus 8 - KF08-RLM
Focus 8 KSDS08-C
Focus 8 Sistema 3-St CF
Focus 18 KSDS18-C
Focus 8 - KF08-RLG
Focus 12 KSDS12-C
Focus 12 KSDS12-A
Focus 8 KSDS08-A
P20 - FOCUS 22 - Cartoni
Z-C3M3-P2
WC 274900
Z-C500-PDG
WC 275000
WC 274800
ARMOR-MAN 3 ARM-T03
Top Plate Canon C500MKII
Unified Baseplate - 222100
SR 2837
Focus 22 - HF2200
Focus 12 - HF1200
Focus 18 - HF1800
LH5P II
CS2731 ColorEdge + EX5
CG319X ColorEdge
BVM-HX310
Z-FIND-C5
OEYE-RED EVF
CS2731 ColorEdge
BVM-E171
BVM-E251
Rear Cheese C500C300 MKII
LB-CA90C
306-0212
V-mount C500C300 MKII
S-8113S
MINO-S140
BP-A60
S-2712
Nanlite - FL-11 Forza 60
ARRI 300 Plus Rete doppia
ARRI 1000 Plus Rete doppia
Nanlite - BH-FZ60
SF-G2M
CEB-G128.SYM
SDCFEC-320G-GN4NN
SDCFEC-640G-GN4NN
ZFC-L
CIAK STD
450R2-ALLFFKIT
The Cinema EOS C500 Mark II features Canon''s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor''s expansive native cinema gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions.
The Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter.
User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.
The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely on.
The EOS C500 Mark II uses a newly developed DIGIC DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiGIC is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Cinema Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing.
Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.
When recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode, frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two new buttons S&F(Slow and Fast Motion) and S&F FPS (Slow and Fast Motion - Frames per Second) have been added to gives quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.
To accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.
Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for the initial file sharing and edits.
Canon''s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.
With optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own.
PL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II''s interchangeability now makes it possible to take any PL lens and pair it with Canon''s state-of-the-art sensor to meet the needs of any project.
Using Canon''s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.
The amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2/3" lensing options to be used with the camera.
The EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.
The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic.
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