X-H2
Fuji
₦ 3,736,899.00 VAT excl.
Backside-Illuminated Sensor and 64-Bit Processing
X-Trans 5 BSI Sensor
Ideal for architectural, travel, and landscape photographers, the X-H2 sports a backside-illuminated, APS-C-format 40MP X-Trans 5 HR sensor, which ups the resolution and improves low-light performance compared to previous generations. First, as an X-Trans sensor, it uses the unique color filter array that inherently minimizes moiré and contributes to more natural color rendering, next, the BSI design helps reduce noise and improve tonality and clarity, and, finally, the design greatly reduces rolling shutter and other motion distortion to better suit high-speed video and photo applications. The remarkable resolution allows for 2x digital zoom and has up to 13 stops of dynamic range.
X-Processor 5
Partner to the newly designed sensor is a fresh engine—the X-Processor 5—which uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at bit rates of up to 720 mb/s.
On the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 20 fps is possible, with a buffer of 202 consecutive uncompressed raw frames. With the mechanical shutter, shooting speeds of up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.
Benefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables an enhanced sensitivity range from ISO 125-12800.
4K 60p and 8K 30p Internal Recording
Despite its focus on photography, the X-H2 has an impressive video system capable of 4:2:2 10-bit internal recording in 8K at 30fps and in both DCI/UHD 4K at up to 60 fps and Full HD at up to 240p. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 160 minutes are possible at all frame rates and resolutions and can be extended to 240 minutes with the external clip-on fan.
External Raw Recording
Using the full-size HDMI port, 12-bit raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 8K.
Hybrid AF with Deep Learning AI
Benefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types.
Pixel Shift Multishot
Pixel Shift Multishot takes multiple exposures in rapid succession, each one precisely shifting the image sensor by half a pixel, capturing the subject on a different part of the image sensor each time and yielding a single 160-Megapixel image with the help of the Pixel Shift Combiner software.
In-Body Image Stabilization
Built-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.
Practical and Durable Design
Large OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.
Rear 3.0" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.
1.28" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.
MVKBFRTC-LIVE
MK055XPRO3-3W
MVMXPRO500
MVK502AM-1
MVMXPROC5
MK290XTA3-3W
MVKBFRT-LIVE
Cobra 2 Strike A150S
TH-X
LX7
MK055XPRO3-BHQ2
LX7 M
MVK500190XV
MK290XTA3-2W
MVK500AM
MVMXPROA4
MBSPNFG-X-BM2 FUJI-Nikon G
MB SPFD-X-BM2 FUJI-Canon FD
MB SPEF-X-BT1
Converter Canon EF-Fujifilm G
XF200mmF2 R LM - W
XF50mmF1.0 R WR
XF 16mm f2.8 R WR - Black
XF100-400mmF4.5-F5.6 R LM
XF 55-200mm f3.5-4.8 R LM OIS
XF Tele Converter 1.4x WR
XF 10-24mm f4 R OIS WR
XF 60mm f2.4 R MACRO
XF 50-140mm f2.8 R LM OIS WR
17mm f4 Ultra-Wide GFX Zero-D
XF70-300mmF4-5.6 R LM
XF 35mm f1.4 R
Kit Aurogon FF 10-50x Fuji GFX
23mm-F1.4 C AF DC DN Fuji
10-18mm f2.8 DC DN X-Mount
VideoMic Pro Rycote
smartLav+
VideoMic NTG
VideoMic ME
VideoMic RYCOTE
Stereo VideoMic Pro Rycote
PINMIC EW - Rode
CA-XLR2D-AN
CA-AK1-F
GRIP BELT GB-001
LP37170-PWW
LP37229-PWW
LP36892-PWW
Boompole
Boompole Micro
Boompole PRO
Boompole Mini
SR 3934
SR 3933
SR 3948
TA-T36-A-B
TA-T36-FCC-B
SR 3928
MKX 18-55MM T2.9
DZO Pictor 12-25 T2.8 White
MKX 50-135MM T2.9
65mm T2.4 Ambra Fuji X
65mm T2.4 Blue Fuji X
65mm T2.4 Silver Fuji X
80mm T2.4 Ambra Fuji X
80mm T2.4 Blue Fuji X
80mm T2.4 Silver Fuji X
161MK2B
Benro FGP28A
FSB 4 0307
UVC-02
MB-T15
Camera Control Cable for LANC
Ultra 7
Ultra 7 Bolt 6 TX - 750ft
Ultra 7 Bolt 6 RX - 750ft VM
Ultra 7 Bolt 6 RX - 1500ft VM
Ultra 7 Bolt 6 TX - 1500ft
Teranex Mini 8K HDR
ATEM Mini PRO
COSMO C1
WEEBILL S
Nucleus M - WLC-T03
Boom A320 Zeppelin - Sennheiser
Boom A320 Zeppelin ME-66 - Sennheiser
Boom AL205 Zeppelin - Rode
Boom A320 NTG-2 - Rode
Boom AL300 NTG-3 - Rode
Boom AL300 Zeppelin NTG-2 - Rode
Imaging
Lens Mount FUJIFILM X
Sensor Resolution Effective: 40.2 Megapixel
Sensor Type 23.5 x 15.6 mm (APS-C) CMOS
Crop Factor 1.5x
Image Stabilization Sensor-Shift, 5-Axis
Built-In ND Filter None
Capture Type Stills & Video
Exposure Control
Shutter Type Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed Mechanical Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Up to 60 Minutes in Bulb Mode
Electronic Shutter
1/8000 to 4 Seconds in Program Mode
1/8000 to 30 Seconds in Aperture Priority Mode
1/8000 to 15 Minutes in Manual Mode
Fixed 1 Second in Bulb Mode
Bulb/Time Mode Bulb Mode
ISO Sensitivity Photo
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 51,200)
Video
125 to 12,800 in Manual, Auto Mode (Extended: 80 to 25,600)
Metering Method Average, Center-Weighted Average, Multi-Zone, Spot
Exposure Modes Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation -5 to +5 EV (1/3 EV Steps)
Metering Range 7 to 7 EV
White Balance 2500 to 100,000K
Presets: Daylight, Shade, Tungsten, Underwater
Continuous Shooting Electronic Shutter
Up to 20 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Mechanical Shutter
Up to 15 fps for up to 1000 Frames (JPEG) / 1000 Frames (Raw)
Interval Recording Yes
Self-Timer 2/10-Second Delay
Still Image Capture
Image Sizes 3:2 JPEG
40 MP (7728 x 5152)
16:9
40 MP
Aspect Ratio 1:1, 3:2, 16:9
Image File Format C-RAW, HEIF, JPEG, Raw, TIFF
Bit Depth 16-Bit
Internal Recording Modes Raw
7680 x 4320 up to 29.97 fps
MOV/MP4/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
UHD 8K (7680 x 4320) at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
MOV/MP4/MPEG-4/ProRes 422/ProRes 422 HQ/ProRes 422LT
6240 x 4160 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
1920 x 1080p at 23.98/24.00/25/29.97/50/59.94/100/119.88/200/239.76 fps [50 to 720 Mb/s]
External Recording Modes Raw 12-Bit via HDMI
7680 x 4320 up to 29.97 fps
Recording Limit None
IP Streaming None
Audio Recording MOV: 2-Channel 24-Bit 48 kHz LPCM Audio
ProRes: 2-Channel 24-Bit 48 kHz LPCM Audio
MPEG: 2-Channel 24-Bit 48 kHz LPCM Audio
MP4: 2-Channel AAC Audio
Interface
Media/Memory Card Slot Dual Slot: CFexpress Type B (SD Express)
Video I/O 1 x HDMI Output
Audio I/O 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Input on Camera Body
1 x 1/8" / 3.5 mm TRRS Headphone/Mic Output on Camera Body
Power I/O 1 x USB-C Input/Output
Other I/O 1 x USB-C
Wireless 2.4 / 5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Global Positioning (GPS, GLONASS, etc.) None
Monitor
Size 3.0"
Display Type Articulating Touchscreen LCD
Secondary Display Top: 1.28" OLED Status Display
Viewfinder
Type Built-In Electronic (OLED)
Size 0.5"
Eye Point 24 mm
Coverage 100%
Magnification Approx. 0.8x
Diopter Adjustment -5 to +3
Focus
Focus Type Auto and Manual Focus
Focus Mode Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points Photo, Video
Contrast Detection, Phase Detection: 425
Built-In Flash No
Flash Modes Auto, Commander, First-Curtain Sync, Manual, Off, Second-Curtain Sync, TTL Auto
Maximum Sync Speed 250 Second
External Flash Connection Hot Shoe, PC Terminal
General
Battery Type 1 x NP-W235 Rechargeable Lithium-Ion, 7.2 VDC, 220 mAh (Approx. 680 Shots)
Tripod Mounting Thread 1 x 1/4"-20 Female (Bottom)
Accessory Mount 1 x Hot Shoe Mount on Camera Body
Dimensions (W x H x D) 5.4 x 3.7 x 3.3" / 136.3 x 92.9 x 84.6 mm
Weight 1.5 lb / 660 g (With Battery, Recording Media)
1.3 lb / 579 g (Body Only)
Packaging Info
Package Weight 2.83 lb
Box Dimensions (LxWxH) 7.5 x 7.2 x 5.2"
Interfaccia
Slot per supporti/schede di memoria Doppio slot: CFexpress tipo B (SD Express)
Ingresso/uscita video 1 uscita HDMI
Audio I/O 1 x 1/8"/3,5 mm TRRS Ingresso cuffia/microfono sul corpo della fotocamera
1 uscita cuffia/microfono TRRS da 1/8"/3,5 mm sul corpo della fotocamera
Alimentazione I/O 1 ingresso/uscita USB-C
Altro I/O 1 USB-C
Wireless 2,4/5 GHz Wi-Fi 5 (802.11ac)
Bluetooth
Posizionamento globale (GPS, GLONASS, ecc.) Nessuno
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