Shinobi 7

Shinobi 7" 4K HDMI/SDI Monitor from Atomos.

This 7" on-camera monitor features a 1920 x 1200 10-bit FRC IPS display with a brightness of 2200 cd/m2, which makes it suitable for use in both exterior and interior conditions. This larger model improves on the original Shinobi as it adds 3G-SDI input and loop output up to 2K60, HDMI 2.0 input and loop output up to 4K60, signal cross conversion, a camera control port, dual L-series battery slots, and future possibilities with its built-in USB and RJ45 ports.

The touchscreen Shinobi 7 runs the latest AtomOS firmware that features a variety of onscreen analysis tools such as multi-scope views, exposure, framing, focus assist, waveform, RGB parade, and histogram tools. It also features an SDI card input to load custom 3D LUTs, and it supports SDR and HDR viewing. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras.

It also supports camera control using its 2.5mm control port and optional cables, and it currently supports control of the Z CAM E2 series of cinema cameras. Built to withstand the rigors of production, the Shinobi 7 features a lightweight chassis and powers from a dual L-series battery plate or using the included power adapter.
AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage, but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.

Supported Log Formats:
- ARRI Log CEI160 / CEI200 / CEI250 / CEI320 / CEI400 / CEI500 / CEI640 / CEI800 / CEI1000 / CEI1280 / CEI1600
- Canon Clog / Clog 2 / Clog 3
- Fuji F-Log
- JVC Jlog
- Nikon N-Log
- Sony Slog / SLog2 / SLog3
- Panasonic Vlog
- RED Log3G10 / RED LogFilm
- PQ10k
- HLG

HDR Monitoring:
- Sony Sgamut / SGamut3 / SGamut3.cine
- Canon Cinema / DCI P3 / DCI P3+
- Panasonic V Gamut
- ARRI ALEXA Wide Gamut
- Rec. 709 / BT.2020
- JVC
- RED WideGamut / RED DragonColor / DragonColor2
- RED Color2 / RED Color3 / RED Color4

DCI/UHD 4K and 2K Input/Output:
- Monitor 4K footage in DCI or UHD formats via HDMI 2.0 up to 60 fps and up to 2K60 via 3G-SDI.
- Output signal via HDMI and 3G-SDI loop outputs.

HDR Monitoring:
- Sony Sgamut / SGamut3 / SGamut3.cine
- Canon Cinema / DCI P3 / DCI P3+
- Panasonic V Gamut
- ARRI ALEXA Wide Gamut
- Ric. 709 / BT.2020
- JVC
- RED WideGamut / RED DragonColor / DragonColor2
- RED Color2 / RED Color3 / RED Color4

DCI / UHD 4K and 2K Input / Output:
- Monitor 4K footage in DCI or UHD formats via HDMI 2.0 up to 60 fps and up to 2K60 via 3G-SDI.
- Output signal via HDMI and 3G-SDI loop outputs.
- The Shinobi 7 features HDMI / SDI cross conversion support.

Audio Monitoring
Audio input/output via HDMI and audio output using the 3.5mm headphone port for convenient audio monitoring.

7" Daylight Viewable Screen
The Shinobi 7 features a 7" 1920 x 1200 IPS LCD screen illuminated by a bright 2200 cd/m² LED backlight, allowing you to view in daylight without the need for a hood. Additionally, the screen is also factory color calibrated to ensure accurate image representation.

HDR Signal Handling
LOG and HDR signals can be difficult to monitor with conventional equipment. With Shinobi's built-in HDR signal management functions, the LOG signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.

Power Saving Options
The rear of the monitor features two L-series battery slots for longer shooting times, and a universal power supply is also included.

Camera Control
The monitor is equipped with a 2.5mm control port that currently supports control of the Z CAM E2 series cinema cameras.

Anamorphic De-Squeeze
The Shinobi 7 supports anamorphic de-compression, allowing you to conveniently view anamorphic footage with Panasonic's 2x, 1.5x, 1.33 and 8:3 compression.

3D LUT Management
An SD card slot allows you to load custom 3D LUTs and apply them to both input and output signals. Of exit.